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the 1965 double-bill release ("A Delightful session with the Master and the Mistresss of the 2 oldest Professions in the world! Subject: Sex and Stealing!"; "Sex and stealing! ...see the best of both!") of Topkapi, the classic 1964 Jules Dassin Istanbul Turkey romantic jewel-thief crime comedy ("It's for tonight, darling, in Istanbul...we've got a leather vest, a surgeon's lamp, a suction cup and a boy-scout knot, also a mastermind, and electronics genius - and a schmo. Come on - you're cut in on the theft of the century!"; "Join us in Istanbul - we'll cut you in on the theft of the century!"; "[where the jewels were!]"; "Be there on time - we'd hate to start without you!"; "We're crooks [honest]! We resolve to make the world a better place to steal in!"; "Come on, darling, you're cut in on the theft of the century - and I've got what it takes...A surgeon's lamp, a leather vest, a suction cup, and a Boy-Scout knot. Be there on time - we'd hate to start without you!"; "Topkapi [where the jewels are/were!]"; "Come on darling, you're cut in on the theft of the century and I've got what it takes..."; "A surgeon's Lamp, a leather vest, a suction cup, and a boy-scout knot"; "Be there on time - we'd hate to start without you!"; "Come with me to Istanbul darling! Let's do something nice and crooked!"; "Let us introduce ourselves we're crooks [honest]!"; "Ready? Come on- You're cut in on the theft of the century!"; "They made the world a better place to steal in!"; "Based upon 'The Light of Day' by Eric Ambler"; about a group of master thieves who plan to rob a priceless jeweled dagger, and director Jules Dassin pays hommage to his own "Rififi" by including a very long almost completely silent sequence of the criminals robbing the highly guarded dagger) starring Melina Mercouri, Peter Ustinov (winner of the Best Supporting Actor Academy Award for this film), Maximilian Schell, Robert Morley, and Akim Tamiroff AND Pote tin Kyriaki (released in the U.S. as "Never On Sunday"), the classic 1960 Jules Dassin ("the master film maker who gave you RIFIFI and HE WHO MUST DIE, as the innocent American who wants to 'save' her, Mr. Dassin has conceived, written, produced, and directed the film."; nominated for the Best Director Academy Award) Greek/U.S. prostitution romantic comedy ("The performance that crowned her Winner of the Cannes Film Festival Award as 'Best Actress of the Year'!"; "Jules Dassin's modern fable of the encounter between an American innocent abroad and a Grecian guilt-edged proposition. The best picture you've seen in a month of Sundays"; "Never On Sunday... Ah, but the rest of the week!"; about a Greek prostitute who refuses to work on Sundays, because she is religious!) starring Melina Mercouri (in her nominated for Best Actress Academy Award role; "as the happy street-walker of Piraeus..."), Jules Dassin, Georges Foundas, Titos Vandis, and Mitsos Ligizos
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Important Added Info: Note that this poster has never been folded! Some pre-1970 insert posters were folded twice horizontally at the poster exchange, while some were not. It can be difficult to find an unfolded example of many pre-1970 insert posters (note that most post-1970 inserts were NOT folded, so they are pretty much only found unfolded, and therefore this does not apply to those inserts).

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