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I Am a Fugitive from a Chain Gang, the classic 1932 Mervyn LeRoy southern-U.S.-prison-camp escape crime thriller ("If you Liked 'Scarface You'll Rave about 'I Am a Fugitive From a Chain Gang'"; "The fury of a scorned woman Sent Him Back To Hell!"; based on the autobiography "By Robert E. Burns"; nominated for the Best Picture Academy Award; about the real-life man who through misfortune ended up in a Georgia prison working on a chain gang; against all odds, he escaped and returned to his hometown of Chicago, where he became a major success, hiding his past; his prison escape was discovered, and in the movie, he agrees to serve a short amount of time in the prison, but he is double-crossed, and he escapes again, but this time, his future is very bleak) starring Paul Muni (as James Allen/Allen James; nominated for the Best Actor Academy Award for this film), Glenda Farrell, Helen Vinson, Preston Foster, Everett Brown (as the black African American convict Sebastian, who hits Paul Muni's shackles with a sledgehammer!), Noel Francis, Allen Jenkins, Edward Ellis, and Harry Woods. Note that this is one of the rare cases where Hollywood took a happy ending and made it unhappy! In real life, Robert Burns refused to return to the prison, and Illinois refused to extradite him to Georgia, and he lived out his life without ever returning to prison. But apparently, Warner Bros. wanted a more dramatic ending to the story, and so they invented their ending, where Burns returns, is double-crossed, and escapes a second time!
NOTE: Click on linked names to see a biography.

Important Added Info: Note that this still measures 8" x 10 1/4" [20 x 26 cm]. Also note that this still appears in every way to be original U.S. release EXCEPT that there is one very tiny line of French type in the lower right. It reads, "IMPRIME AUX ETATS-UNIS D'AMERIQUE". A collector has told us that he believes this means the still was printed for use in areas that included French-speaking parts of Canada, but that it WAS printed in the U.S., and that makes complete sense to us (and we have seen this on stills from the 1940s through the early 2000s, so it has certainly been done for an extremely long time)! So it is an original still from 1932, but it was printed partially for use in French-speaking Canada. If anyone knows more about this, please e-mail us and we will post it here.

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