eMoviePoster.comAuction History Result 2s0353 W.C. FIELDS camera original 8x10 negative 1930s head & shoulders portrait of the comedy legend! Date Sold 8/7/2022Sold For: Login or Register to see sold price. A Photographic Negative (measures 8" x 10" [20 x 25 cm]) (Learn More) W.C. Fields was born William Claude Dukenfield in Darby, Pennsylvania in 1880. He showed his remarkable talents early, beginning with a juggling act when he was a teen. He left home and worked that act in vaudeville, later traveling to Europe, and appearing on Broadway in 1906. Although he had initially been a non-talking juggler (this helped when he performed in countries where they did not speak English), he started making comic asides in his act, and soon they were a bigger and bigger part of his appeal. In 1915, Fields made the short film, Pool Sharks, where he performed his tricks on a specially made pool table (a routine he performed in the Ziegfeld Follies). He also made another short film that was shown during his Follies Act, His Lordship's Dilemma. But otherwise, Fields spent all his time on his stage act. In 1924, Fields took a minor role in a Marion Davies movie, and that led to two starring roles in movies directed by D.W. Griffith, and suddenly Fields was a major movie star in his mid forties! Fields was one of the few great silent comedians who was able to seamlessly make the transition to sound movies (another was Laurel and Hardy). While he was a great physical slapstick comedian, sound actually added quite a bit to his appeal. In the early 1930s he not only appeared in some marvelous features (Million Dollar Legs, It's a Gift, and many others) but he also made the series of wonderful shorts for Paramount Pictures (The Fatal Glass of Beer, The Dentist, and more). Fields made some great movies in 1939 and 1940 (when he was 60!), You Can't Cheat an Honest Man, My Little Chickadee, and The Bank Dick (where he played Egbert Souse, pronounced "Soo-say"). But he had many ailments related to his alcoholism, and he made just a few film appearances in the early 1940s. When Fields was dying in 1946, the story goes that a friend visited him at the sanitarium where he was staying, and found the lifelong atheist reading a Bible. When asked why, Fields replied, "I'm checking for loopholes"! He passed away in 1946 at the age of 66. Fields made many wonderful movies, but if I had to recommend two to start with, it would be It's a Gift (which includes the great sequence in the store with Mr. Muckle, the nearly blind and deaf old man) and The Bank Dick (which includes the great sequences of Fields being conned into buying the worthless Beefstake Mine stock, and subsequently re-selling it to the hapless Og Oggilby. As Fields tells Og, "Don't be a luddy-duddy! Don't be a mooncalf! Don't be a jabbernowl! You're not one of those, are you?") Important Added Info: Note that our consignor tells us that he suspects this portrait was not used for publicity purposes, and it certainly looks much more "candid" than other portraits of Fields from this period, so we strongly suspect he is correct. Note that this is a negative that was in the camera when the photographer shot the photo (see below for more on this). We have put a scan of the negative that shows the "positive image" (in addition to a scan of the negative image). REMEMBER THAT WHAT YOU RECEIVE WILL BE A PHOTOGRAPHIC NEGATIVE, NOT A POSITIVE IMAGE LIKE YOU ARE SEEING (however, the archive that owned this made an 8x10 positive print from it that will be included with the negative). However, we will provide the winning bidder of this auction that positive image scan that is both high quality and not watermarked (on request to the winning bidder, and only the winning bidder). We scanned it, so that bidders could see just how high quality it is. What are camera original negatives? These often (but not always) have retouching on the emulsion side, and negative numbers written in India ink on the front. Depending on the studio some 8x10 negatives may be trimmed or have numbers or information embedded into the sides of the negative. Obviously, camera original negatives are far more rare (and far more desirable) than studio-issued ones, but both are very high quality. Condition: very good to fine. There is retouching on the emulsion side, typical of many (but not all) camera original negatives (see above). Learn More about condition grades
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