eMoviePoster.comAuction History Result 5h0009 CREATURE FROM THE BLACK LAGOON style B 1/2sh 1954 incredible art of monster over divers! Date Sold 10/29/2023Sold For: Login or Register to see sold price. An Original Vintage Theatrical Paperbacked Style B Half-Sheet Movie Poster (1/2sh; measures 22" x 28" [56 x 71 cm]) (Learn More) Creature from the Black Lagoon, the classic 1954 Jack Arnold Universal 3-D (3D; 3-Dimension) science fiction (sci-fi) monster horror thriller ("Sheer, stark terror grips you in underwater... 3-D"; "Terrifying monster of the ages raging with pent-up passions! ...with every man his mortal enemy ...and a woman's beauty his prey!"; "Centuries of passion pent up in his savage heart!"; "Amazing! Startling! Shocking!"; "Monster from a million years ago!"; "Clawing Monster From A Lost Age strikes from the Amazon's forbidden depths!"; "Thrills beyond compare in... 3D") starring Richard Carlson, Julie Adams (billed as "Julia Adams"), Richard Denning, Antonio Moreno, Nestor Paiva, Whit Bissell, Ricou Browning (who played the Gill Man underwater), Ben Chapman (who played the Gill Man on land), and Bernie Gozier. Note that the inspiration for this movie began when William Alland (the producer of this movie) was playing an acting role in "Citizen Kane", and he learned of a myth about half-man half-fish creatures in the Amazon. He wrote notes for a story called "The Sea Monster" in 1951, combining the above myth with the "Beauty and the Beast" story. In December 1952, a 59-page treatment called "Black Lagoon" was written by Maurice Zimm and Leo Lieberman wrote a script based on that treatment in early 1953, but Universal turned it down. After this script was written, a new script was written by Arthur Ross and Harry Essex, and that was the script that was used for the movie as filmed, and the last great Universal monster was created! Finally, note that the wonderful creature costume was created by a woman named Milicent Patrick, who you probably never heard of, but she deserves to be well remembered. She was a top pianist as a young girl, and she graduated from high school at 14. She went to work for Disney as an artist in the animation department in the late 1940s, and she was the first female hired by Disney in that capacity. In 1954, she designed the classic creature costume used in this movie, but the head of the makeup department did all he could do to keep her from getting proper credit, and as a result, she left Universal. It is said that she also created some of the well known costumes in other Universal horror and sci-fi movies preceding this, but there is no clear record as to which ones (but some great monsters of this time, including the ones in "This Island Earth", seem to be unmistakably her design). She turned to acting, appearing in a few movies and on TV, but she pretty much vanished in the early 1960s. She passed away in 1998 at the age of 82. She certainly deserves massive credit for her contributions to this movie and other great 1950s monster movies, but that may never happen. NOTE: Click on linked names to see a biography. If you know who did the art (if any), please let us know. Important Added Info: Note that the last time we auctioned this extremely desirable poster, it sold for $5,300, and that example was linenbacked, and like this example, it was in "very good" condition (and had been "good to very good" prior to linenbacking)! Also note that there is considerable confusion over who created the art for this poster. Some say it is by Reynold Brown and others say it is by Albert Kallis. If anyone has definitive evidence as to who created the art, please e-mail us and we will post it here. Please do not send us any links to any webpages or websites, because we know for certain that none of them have definitive evidence, and the ones that are guessing either way are only guessing! Note that this poster has been paperbacked. What is paperbacking? This means the poster was backed onto a paper backing (acid-free), that is similar in feel to that of the original poster (except somewhat heavier). It is a similar process to linenbacking, except that most collectors use linenbacking for one-sheets and paperbacking for half-sheets, inserts, window cards, and lobby cards. Note that because this poster was paperbacked onto a thicker paper backing, it CAN'T be sent rolled (someone could conceivably roll it or try to do so, but we know it would definitely lessen its condition, so we will only send it in a very large flat package, unless the buyer insists, and then they would be responsible for any damage). What IS paperbacking? Learn More Overall Condition and Pre-Restoration Defects with Quality of Restoration: very good. Prior to paperbacking, the poster had tiny paper loss at the crossfold. It had creases, scuffs, and some tiny bits of paper loss along both folds, more so in the top 3" of the vertical fold. It had a 3" vertical tear 1" to the right of that. It had a few smudges, pinholes, and tiny bits of paper loss around the edges. Overall, the poster was in good to very good condition prior to paperbacking. The poster was nicely backed, and displays well! Learn More about condition grades
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