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Auction History Result 1a0227 CREATURE FROM THE BLACK LAGOON signed 2D WC 1954 by Ben Chapman, art of monster & Julia Adams! Date Sold 10/31/2021 Sold For: Login or Register to see sold price. An Original Vintage Theatrical Paperbacked Autographed Movie Window Card (WC; measures 14" x 22" [36 x 56 cm]) (Learn More) Creature from the Black Lagoon, the classic 1954 Jack Arnold Universal 3-D (3D; 3-Dimension) science fiction (sci-fi) monster horror thriller ("Sheer, stark terror grips you in underwater... 3-D"; "Terrifying monster of the ages raging with pent-up passions! ...with every man his mortal enemy ...and a woman's beauty his prey!"; "Centuries of passion pent up in his savage heart!"; "Amazing! Startling! Shocking!"; "Monster from a million years ago!"; "Clawing Monster From A Lost Age strikes from the Amazon's forbidden depths!"; "Thrills beyond compare in... 3D") starring Richard Carlson, Julie Adams (billed as "Julia Adams"), Richard Denning, Antonio Moreno, Nestor Paiva, Whit Bissell, Ricou Browning (who played the Gill Man underwater), Ben Chapman (who played the Gill Man on land), and Bernie Gozier. Note that the inspiration for this movie began when William Alland (the producer of this movie) was playing an acting role in "Citizen Kane", and he learned of a myth about half-man half-fish creatures in the Amazon. He wrote notes for a story called "The Sea Monster" in 1951, combining the above myth with the "Beauty and the Beast" story. In December 1952, a 59-page treatment called "Black Lagoon" was written by Maurice Zimm and Leo Lieberman wrote a script based on that treatment in early 1953, but Universal turned it down. After this script was written, a new script was written by Arthur Ross and Harry Essex, and that was the script that was used for the movie as filmed, and the last great Universal monster was created! Finally, note that the wonderful creature costume was created by a woman named Milicent Patrick, who you probably never heard of, but she deserves to be well remembered. She was a top pianist as a young girl, and she graduated from high school at 14. She went to work for Disney as an artist in the animation department in the late 1940s, and she was the first female hired by Disney in that capacity. In 1954, she designed the classic creature costume used in this movie, but the head of the makeup department did all he could do to keep her from getting proper credit, and as a result, she left Universal. It is said that she also created some of the well known costumes in other Universal horror and sci-fi movies preceding this, but there is no clear record as to which ones (but some great monsters of this time, including the ones in "This Island Earth", seem to be unmistakably her design). She turned to acting, appearing in a few movies and on TV, but she pretty much vanished in the early 1960s. She passed away in 1998 at the age of 82. She certainly deserves massive credit for her contributions to this movie and other great 1950s monster movies, but that may never happen. NOTE: Click on linked names to see a biography. If you know who did the art (if any), please let us know. Important Added Info: Note that this poster has been personally autographed (signed) by Ben Chapman! Our consignor obtained this autograph in person at a Ray Courts Show in Burbank around 10 or 15 years ago. He does not have a certificate of authenticity, but we are certain the signature is authentic. Note that this movie was originally intended to be shown in 3-D, but before its release, the 3-D was dropped. However, the pressbook for the movie, which was created while the 3-D was still in the works, shows both 2-D and 3-D ads and posters. There is also a very rare 3-D window card for this movie that was created before the 3-D version was dropped. However, almost all of the window cards known do not mention 3-D, and this is one of those. Note that this poster has been paperbacked. What is paperbacking? This means the poster was backed onto a heavy paper backing (acid-free), that is similar in feel to that of the original poster (except heavier). It is a similar process to linenbacking, except that most collectors use linenbacking for one-sheets and paperbacking for half-sheets, inserts, window cards, and lobby cards. What IS paperbacking? Learn More Overall Condition and Pre-Restoration Defects with Quality of Restoration: good to very good. Prior to paperbacking, most of the poster's blank top had been trimmed off. It had been folded across the middle, with some creases, scuffs, and tiny surface paper loss along that fold. It had some smudges and scuffs scattered throughout the image, with some tears and tiny paper loss around the edges. Overall, the window card was in good condition prior to paperbacking. The poster was pretty well backed, but you can see signs of the above defects and the restoration of the above defects. Learn More about condition grades 
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