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Creature from the Black Lagoon, the classic 1954 Jack Arnold Universal 3-D (3D; 3-Dimension) science fiction (sci-fi) monster horror thriller ("Sheer, stark terror grips you in underwater... 3-D"; "Terrifying monster of the ages raging with pent-up passions! ...with every man his mortal enemy ...and a woman's beauty his prey!"; "Centuries of passion pent up in his savage heart!"; "Amazing! Startling! Shocking!"; "Monster from a million years ago!"; "Clawing Monster From A Lost Age strikes from the Amazon's forbidden depths!"; "Thrills beyond compare in... 3D") starring Richard Carlson, Julie Adams (billed as "Julia Adams"), Richard Denning, Antonio Moreno, Nestor Paiva, Whit Bissell, Ricou Browning (who played the Gill Man underwater), Ben Chapman (who played the Gill Man on land), and Bernie Gozier. Note that the inspiration for this movie began when William Alland (the producer of this movie) was playing an acting role in "Citizen Kane", and he learned of a myth about half-man half-fish creatures in the Amazon. He wrote notes for a story called "The Sea Monster" in 1951, combining the above myth with the "Beauty and the Beast" story. In December 1952, a 59-page treatment called "Black Lagoon" was written by Maurice Zimm and Leo Lieberman wrote a script based on that treatment in early 1953, but Universal turned it down. After this script was written, a new script was written by Arthur Ross and Harry Essex, and that was the script that was used for the movie as filmed, and the last great Universal monster was created! Finally, note that the wonderful creature costume was created by a woman named Milicent Patrick, who you probably never heard of, but she deserves to be well remembered. She was a top pianist as a young girl, and she graduated from high school at 14. She went to work for Disney as an artist in the animation department in the late 1940s, and she was the first female hired by Disney in that capacity. In 1954, she designed the classic creature costume used in this movie, but the head of the makeup department did all he could do to keep her from getting proper credit, and as a result, she left Universal. It is said that she also created some of the well known costumes in other Universal horror and sci-fi movies preceding this, but there is no clear record as to which ones (but some great monsters of this time, including the ones in "This Island Earth", seem to be unmistakably her design). She turned to acting, appearing in a few movies and on TV, but she pretty much vanished in the early 1960s. She passed away in 1998 at the age of 82. She certainly deserves massive credit for her contributions to this movie and other great 1950s monster movies, but that may never happen.
NOTE: Click on linked names to see a biography.

Important Added Info: Note that this movie was originally in 3-D. The studios created both 3-D posters and 2-D posters (the 2-D posters were for theaters that lacked the 3-D equipment). This pressbook contains images of posters from both the "2-D" and "3-D" releases (for some 3-D movies, studios would create both a 2-D and 3-D pressbook, but in the case of this movie, they solely created a combination pressbook).

Note that in December 2021, we were consigned a truly remarkable collection of pressbooks (the first 37 were auctioned in our December Major Auction, and the most expensive one sold for $17,500!). In our regular auctions since, we have auctioned hundreds more from this collection. Now we continue to auction more of these pressbooks, which is absolutely the finest collection of pressbooks we have ever been consigned. In this set of auctions, most of the ones we are auctioning are larger pressbooks, mostly 11" x 15" or larger. Some of them were folded at one time, but they were stored unfolded for many years, so we left them unfolded, and unless the new owner requests otherwise, we will send them unfolded, because re-folding them would likely lessen the condition. Many of these are ones we have either never auctioned before or only once auctioned before, sometimes many years ago. These were collected decades ago, which was the only time that many of these could be found, and after these auctions are over it may be years (or decades!) before some of these are offered again. They ARE that rare! Note that pressbooks from the 1930s are almost never found in great condition, and some of them (especially those printed during World War II, including all the MGM ones from that time) are printed on newsprint, and are hard to find in even lesser condition. We have several images from each pressbook. We have given each an overall grade, and ask that you look at our images to get a good sense of the condition of that pressbook, because, since they have many pages, it would take forever to describe their condition in detail. However, EVERY one of these pressbooks is complete and uncut!

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