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Boris Pasternak's Doctor Zhivago, the classic 1965 David Lean (nominated for the Best Director Academy Award for this film) English romantic Soviet Russia epic ("A Love Caught in the Fire of Revolution"; "Turbulent were the times and fiery was the love story of Zhivago, his wife... And the passionate tender Lara."; "From the most acclaimed novel of our time!"; "From the most acclaimed novel of our time come these brilliant character portrayals"; "The entertainment event of the year!"; "Based on the novel by Boris Pasternak"; nominated for the Best Picture Academy Award) starring Geraldine Chaplin ("as Tonya... Zhivago's gentle and adoring wife who endures his love for Lara, and pledges her love to him for all eternity."), Julie Christie ("as Lara... Zhivago's great love; She learns of life from Komarovsky, and, through Zhivago's love, becomes a woman of compassion."), Tom Courtenay (nominated for the Best Supporting Actor Academy Award for this film; "as Pasha... The young, idealist student, who marries Lara, and later becomes the fanatic and embittered General Strelnikov."), Alec Guinness ("as Yevgraf... Zhivago's somber and mysterious half-brother; dedicated to the Party but never ceasing to care for Zhivago."), Siobhan McKenna ("as Anna... Tonya's mother, who brought young Zhivago into here family after the death of his mother, and raised him as a son."), Ralph Richardson ("as Alexander... Tonya's father, a cultivated, well-to-do professor, who loves the adopted Zhivago as his own son."), Omar Sharif (in the title role "as Zhivago... a man of peace drawn into the turmoil of war; a man of integrity and depth, torn by a love for two women."), Rod Steiger ("as Komarovsky... the shrewd opportunist lawyer who survives all regimes. Tiring of his mistress, he turns to her daughter, Lara."), Rita Tushingham ("as The Girl... born of the revolution and found years later: a shy girl, never to know if she is the child of Zhivago and Lara."), Klaus Kinski, and Ingrid Pitt. Note that David Lean had shot Lawrence of Arabia in "Super Panavision 70", which was a 70mm process, and of course, that movie was a great success. He wanted to shoot this movie the exact same way, but MGM refused, and it was shot in "regular" 35mm Panavision. There are some English posters that were printed with "Super Panavision" on them, but the "Super" is blacked over on them (and the first release U.S. posters have solely "Panavision" on them).
NOTE: Click on linked names to see a biography.

Important Added Info: Note that this record comes with five photocopied presskit supplements that were provided to the radio stations so they could read the biographies of the people on the record (the record contains "open ended interviews", which means that the local radio station had their staff read the questions on air before playing the answers from the records, making it look like they were actually interviewing the celebrities!).

Note that this record is for "radio spots", which were sent to movie theaters to give to their local radio stations to get publicity for the about to be shown movie, and is much more rare than commercial records for those movies. The record is labeled with what the individual spots contain, so see our super-sized image to see what radio spots are included. Also note that the record is contained in a single paper sleeve. We don't know if it was originally sent in any additional packaging. The auction contains the record in a single blank paper sleeve.

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