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Paths of Glory, the classic 1957 Stanley Kubrick anti-war World War I (WWI) France courtroom military court-martial melodrama ("Never has the screen thrust so deeply into the guts of war!"; "It goes where none has ever gone before ...the shattering story of a commander trapped with the enemy in front of him ...and betrayal at his back!"; "Bombshell!"; "Explosive!"; "The behind-the-battle story of the boldest bayonet-charge that ever hacked its way through hell... And the men who came back from it - to face their general's firing squad!"; "The Most Explosive Picture in 25 Years!"; "'Shoot the whole damn regiment!', screamed the General... And now the Colonel had to do it!"; "It explodes in the no-man's land no picture ever dared cross before!"; "Bombshell! The roll of the drums... The click of the rifle-bolts... The last cigarette... And then... The shattering impact of this story... Perhaps the most explosive motion picture in 25 years!"; "Now the screen blasts open the bombshell story of a Colonel who led his regiment into hell and back - while their maddened General waited for them - with a firing squad!"; "Based on the novel by Humphrey Cobb"; "Screenplay by Stanley Kubrick, Calder Willingham and Jim Thompson" [famed film noir novelist]; about French soldiers in World War I who refused to advance in a suicide mission, and a crazy general orders his artillery to fire on his own troops, but they refuse, and the advance is a disaster, and the general orders three random men tried for cowardice) starring Kirk Douglas (as Col. Dax), Ralph Meeker (as Cpl. Philippe Paris), Adolphe Menjou (as Gen. George Broulard), George Macready (as Gen. Paul Mireau), Wayne Morris (as Lt. Roget), Richard Anderson (as Maj. Saint-Auban), Emile Meyer (in one of the screen's all-time great performances!; as Father Dupree), Joe Turkel (as Pvt. Arnaud), Timothy Carey (as Pvt. Maurice Ferol), and Susanne Christian (as the girl who sings at the end of the movie). Note that in 1955, Kubrick found an excellent book, "Clean Break" by Lionel White, which he renamed "The Killing", and he hired pulp writer Jim Thompson to adapt the book's scenes. Kubrick released the movie with the credit "Screenplay by Stanley Kubrick" and "Additional Dialogue by Jim Thompson", but there are many who believe that Thompson essentially wrote the entire script. Kubrick mended his fences with Thompson and hired Thompson to write the screenplay for "Paths of Glory", but producer Kirk Douglas was unhappy with Thompson's screenplay, especially the "happy" ending. Kubrick hired Calder Willingham to rewrite Thompson's screenplay, and the screenwriting credit read "Screenplay by Stanley Kubrick, Jim Thompson, and Calder Willingham". Willingham claimed it was almost entirely his screenplay and sued Kubrick over the credits, but Thompson was able to show that large portions of his original screenplay remained in the final shooting script. Finally, note that this movie was released on Christmas Day in 1957 (it sure seems like an odd "Christmas" movie!). But that was surely to qualify for the 1957 Academy Awards. This is especially ironic, since this masterful movie not only did not win any Academy Awards, but it also wasn't even nominated for any Oscars! The posters for the movie are all dated 1958, but they are from the first general release, and if there are any 1957 posters for the one week that it played in 1957, we have never seen any!
NOTE: Click on linked names to see a biography.

Important Added Info: Note that in December 2021, we were consigned a truly remarkable collection of pressbooks (the first 37 were auctioned in our December Major Auction, and the most expensive one sold for $17,500!). In our regular auctions since, we have auctioned hundreds more from this collection. Now we continue to auction more of these pressbooks, which is absolutely the finest collection of pressbooks we have ever been consigned. In this set of auctions, most of the ones we are auctioning are larger pressbooks, mostly 11" x 15" or larger. Some of them were folded at one time, but they were stored unfolded for many years, so we left them unfolded, and unless the new owner requests otherwise, we will send them unfolded, because re-folding them would likely lessen the condition. Many of these are ones we have either never auctioned before or only once auctioned before, sometimes many years ago. These were collected decades ago, which was the only time that many of these could be found, and after these auctions are over it may be years (or decades!) before some of these are offered again. They ARE that rare! Note that pressbooks from the 1930s are almost never found in great condition, and some of them (especially those printed during World War II, including all the MGM ones from that time) are printed on newsprint, and are hard to find in even lesser condition. We have several images from each pressbook. We have given each an overall grade, and ask that you look at our images to get a good sense of the condition of that pressbook, because, since they have many pages, it would take forever to describe their condition in detail. However, EVERY one of these pressbooks is complete and uncut!

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