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Boris Pasternak's Doctor Zhivago, the classic 1965 David Lean (nominated for the Best Director Academy Award for this film) English romantic Soviet Russia epic ("A Love Caught in the Fire of Revolution"; "Turbulent were the times and fiery was the love story of Zhivago, his wife... And the passionate tender Lara."; "From the most acclaimed novel of our time!"; "From the most acclaimed novel of our time come these brilliant character portrayals"; "The entertainment event of the year!"; "Based on the novel by Boris Pasternak"; nominated for the Best Picture Academy Award) starring Geraldine Chaplin ("as Tonya... Zhivago's gentle and adoring wife who endures his love for Lara, and pledges her love to him for all eternity."), Julie Christie ("as Lara... Zhivago's great love; She learns of life from Komarovsky, and, through Zhivago's love, becomes a woman of compassion."), Tom Courtenay (nominated for the Best Supporting Actor Academy Award for this film; "as Pasha... The young, idealist student, who marries Lara, and later becomes the fanatic and embittered General Strelnikov."), Alec Guinness ("as Yevgraf... Zhivago's somber and mysterious half-brother; dedicated to the Party but never ceasing to care for Zhivago."), Siobhan McKenna ("as Anna... Tonya's mother, who brought young Zhivago into here family after the death of his mother, and raised him as a son."), Ralph Richardson ("as Alexander... Tonya's father, a cultivated, well-to-do professor, who loves the adopted Zhivago as his own son."), Omar Sharif (in the title role "as Zhivago... a man of peace drawn into the turmoil of war; a man of integrity and depth, torn by a love for two women."), Rod Steiger ("as Komarovsky... the shrewd opportunist lawyer who survives all regimes. Tiring of his mistress, he turns to her daughter, Lara."), Rita Tushingham ("as The Girl... born of the revolution and found years later: a shy girl, never to know if she is the child of Zhivago and Lara."), Klaus Kinski, and Ingrid Pitt. Note that David Lean had shot Lawrence of Arabia in "Super Panavision 70", which was a 70mm process, and of course, that movie was a great success. He wanted to shoot this movie the exact same way, but MGM refused, and it was shot in "regular" 35mm Panavision. There are some English posters that were printed with "Super Panavision" on them, but the "Super" is blacked over on them (and the first release U.S. posters have solely "Panavision" on them).
NOTE: Click on linked names to see a biography.

Important Added Info: Note that one of these stills has an image of artwork created specifically for this movie. Such stills are far more rare than stills which show scenes from the movie. Note that each still has printing on the back giving information about the scene on the front. SUPER IMPORTANT! THOUGH ONLY EIGHT OF THE STILLS ARE PICTURED, THE HIGH BIDDER ON THIS LOT WILL RECEIVE 28 STILLS FROM THIS MOVIE (but realize that on some of these lots with 9 or more stills there may be a few duplicates, mostly on post-1960 lots)! We realize there is an element of gambling to this, but we made only a small effort to find the best stills in these lots, and, if you have any willingness to gamble at all, you may find that you get some great stills that were not pictured! Please do NOT bid on this lot unless you can accept that you are only seeing eight of the stills.

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