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Jimmy Stewart was born James Maitland Stewart in Indiana, Pennsylvania in 1908, where his family had owned a hardware store for three generations, and he was expected to take over the family business someday. He wanted to go to the Naval Academy to become a pilot, but his dad made him go to Princeton instead, where he got involved in drama, and he was also head cheerleader. He joined the University Players, an intercollegiate summer stock company in 1932 (the year before, Henry Fonda and Margaret Sullavan had become members, and Stewart became good friends with both, which would prove important to Stewart's career). Stewart followed Fonda and Sullavan to New York, where he got some minor roles in Broadway plays, and his roommate was Fonda, who had had a three month marriage to Sullavan. Fonda and Sullavan went to Hollywood, and helped Stewart get noticed by MGM, who signed him to a contract after a screen test. He had minor roles in ten movies before he finally got a more substantial part in After the Thin Man in 1936. That same year old pal Sullavan insisted he be given the lead opposite her in Next Time We Love. She also got him hooked up with top agent Leland Hayward (who she later married). In 1938 he starred in Frank Capra's You Can't Take It With You, which won the Best Picture Oscar, and made him a major star. The following year was an incredible one for Stewart! He starred in Capra's Mr. Smith Goes To Washington (nominated for the Best Actor Academy Award for this film; after Gary Cooper turned down the role), and also Destry Rides Again (opposite Marlene Dietrich). The following year was equally great, for he both starred in Ernst Lubitch's marvelous The Shop Around the Corner, opposite his devoted friend Margaret Sullavan, and also The Philadelphia Story, where he won the Best Actor Oscar (and his father displayed it in the front window of their hardware store!). Stewart was the first major star to enter the military in World War II (he did so before Pearl Harbor). He was at first rejected for being underweight (he was 6' 3" and only 138 pounds!), and he embarked on a body building program to gain weight, which he was able to do. He had realized his boyhood dream of flying by becoming a pilot in 1935, and he became an instructor pilot in the military. He begged to be allowed to fly combat missions, and he did so in 1943, becoming a major, and by the end of the war he was a colonel, having risen from private to colonel in four years. He stayed in the Reserve after the war, and eventually became a Brigadier General. After WWII, Stewart returned to making movies, and his very first movie on his return was Frank Capra's classic, It's A Wonderful Life (nominated for the Best Actor Academy Award for this film)! He followed with many excellent starring roles, including Call Northside 777, Rope (his first time working with Alfred Hitchcock), Winchester '73, Broken Arrow, the classic Harvey (nominated for the Best Actor Academy Award for this film), The Greatest Show on Earth, and many others. In the mid-1950s he became Hitchcock's main leading man, starring in Rear Window, The Man Who Knew Too Much, Vertigo. In 1959 he starred in the superb Anatomy Of A Murder (nominated for the Best Actor Academy Award for this film), and in 1962 had one of his best movies ever, The Man Who Shot Liberty Valance. His last few notable appearances were in the late 1970s (including in The Shootist, opposite John Wayne), and he passed away in 1997 at the age of 89. James Stewart was one of the only movie idols whose off-screen persona matched his onscreen persona exactly. He was married to Gloria Stewart for 45 years, until she passed away in 1994, and he remained faithful to her throughout their marriage. He really was that super-nice small town boy who "made good", both in movies and in the military, and he was a master at film selection, and he made a huge number of extraordinary movies throughout his long and illustrious career!

Important Added Info: Note that this is a negative that was in the camera when the photographer shot the photo. We have taken a scan of the negative as it appears, and also a special scan of the negative that shows the "positive image". We will provide the winning bidder of this auction with that positive image scan. These often (but not always) have retouching on the emulsion side, and negative numbers written in India ink on the front. Depending on the studio some 8x10 negatives may be trimmed or have numbers or information embedded into the sides of the negative. Many smaller format camera original negatives do not have retouching on them or numbers due to their smaller size. 8x10, 5x7 and 4x5 negatives were primarily the sizes used in the 1920s through the 1940s. 2 1/4" Rollei negatives and 35mm negatives became an industry standard in the 1950s and beyond until the digital revolution in the late 1990s and early 2000s.

This is a very special auction of 710 extremely rare negatives and transparencies of various sizes, plus lots of sets of 35mm slides. EVERY single one in this auction is either "studio issued" (meaning it was created by the studio and sent to theaters and movie outlets), OR it is a "camera original" (meaning it was the actual negative that was in the camera when the photographer took the picture). Every auction clearly identifies which they are, and there are no items being auctioned that are not either "studio issue" or "camera originals". We have divided them by type and size.

Also note that this auction is for one or more negatives, and every one of the 185 auctions of negatives we are currently running have been scanned expertly. This auction contains the scan(s) of the negatives in this auction, and they have been scanned so that you see a "positive" image (and we have added an "eMoviePoster.com" watermark over it), but the auction is for the actual negative. The winner of this auction and ONLY the winner of this auction will, upon request, be sent the UNWATERMARKED scan(s) of the negative(s) in this auction, which will both save them the time and expense of scanning them themselves, and also allow them to make positive prints of the items they purchased, if they desire.

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