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Edward G. Robinson was born Emmanuel Goldenberg in Romania in 1892, and his parents took him to the U.S. in 1902. He was a small man, but possessed a gigantic talent! He was a stage actor in the 1910s and 1920s, but when sound came to movies Hollywood turned to Broadway to find talent who could talk, and he made his debut (after two minor roles) in The Hole in the Wall, starring opposite future major star Claudette Colbert, in her second movie. Seven movies later, he starred as Cesare Bandello (Rico) in Little Caesar, and it not only made him a major star, it also ushered in the great gangster movies of the 1930s. It also typecast him, and he made mostly gangster movies in the 1930s and 1940s, sometimes comedies or parodies of his classic image. In 1944 he made the incredibly wise decision to accept third billing in Billy Wilder's film noir Double Indemnity, and he and the movie were wonderful. That same year he also memorably starred in Fritz Lang's uber-depressing masterpiece, The Woman in the Window, and the following year he and Lang virtually remade that movie as Scarlet Street (although the two movies come from different source novels). He settled into character roles in major movies and lead roles in minor ones, greatly enriching such movies as The Stranger, Key Largo, and many more. He was caught up in the HUAAC hearings, and though he wasn't blacklisted, he spent a year on Broadway in plays. As he grew older he continued to enrich lots of movies in character roles, including his great performance as master poker player Lancey Howard in The Cincinnati Kid (opposite Steve McQueen), and as Sol Roth in Soylent Green (opposite Charlton Heston). In real life he was a quiet, retiring man, nothing at all like his onscreen persona of a brash tough man brandishing a cigar like a weapon. He was a lifelong collector, and one of the first in Hollywood to collect fine art, and he accumulated a collection worth millions of dollars. The ultimate proof of just how flawed to Motion Picture Academy's methods were over the years is that not only did Edward G. never win an Oscar, he never even was NOMINATED for an Oscar, and yet he gave some of the finest movie performances over, over a span of over 40 years! He passed away in 1973 at the age of 79.

Important Added Info: Note that this is a negative that was in the camera when the photographer shot the photo (see below for more on this). We have put a scan of the negative that shows the "positive image" (in addition to a scan of the negative image). REMEMBER THAT WHAT YOU RECEIVE WILL BE A PHOTOGRAPHIC NEGATIVE, NOT A POSITIVE IMAGE LIKE YOU ARE SEEING. However, we will provide the winning bidder of this auction that positive image scan that is both high quality and not watermarked (on request to the winning bidder, and only the winning bidder). We scanned it, so that bidders could see just how high quality it is. What are camera original negatives? These often (but not always) have retouching on the emulsion side, and negative numbers written in India ink on the front. Depending on the studio some 8x10 negatives may be trimmed or have numbers or information embedded into the sides of the negative. Obviously, camera original negatives are far more rare (and far more desirable) than studio-issued ones, but both are very high quality.

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