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Metropolis, the classic 1927 Fritz Lang German silent anti-fascism science fiction (sci-fi) robot fantasy dystopian future thriller ("The screen sensation of the age!"; "The wonder city of the future"; "Adapted by Channing Pollock"; based on the novel by Thea von Harbou; set designs by Edgar Ulmer; about an ultra-depressing world of the future where the rich people live in cities in the clouds, and the poor people toil away endlessly underground; a female populous leader arises and a mad scientist makes an android robot duplicate of her to ruin her work; a brilliant movie, light years ahead of its time, and movie makers are still stealing from it!) starring Brigitte Helm (in a dual role as Maria, the female leader of the workers, and as the android [gynoid] "Maschinenmensch"), Gustav Frohlich (as Freder), Alfred Abel (as Joh Frederson), Rudolf Klein-Rogge (as Rotwang the Inventor), Theodor Loos (as Josaphat), Fritz Rasp (as the Thin Man), Heinrich George, and Margarete Lanner. Note that there is a fascinating story behind this movie being imported to the U.S. in 1927, that we did not learn until 2023, when we noticed the "Adapted by Channing Pollock" on the first U.S. herald we auctioned, and Internet research (NOT on the IMDb) revealed this: Fritz Lang's version of this movie at the premiere was 153 minutes, and Paramount was unwilling to release such a long movie in the U.S. So they hired playwright Channing Pollock to shorten the movie to a more "reasonable" length, around 2 hours. What Pollock did was to essentially drastically change the entire movie, by shortening it to 115 minutes, and changing all of the inter-titles to ones he wrote! Among the changes he made was that the man who made the robot (Rotwang) had made it in the image of the love of his life, named "Hel", who had run off with another man. Pollock did not want to use the name "Hel", because of its similarity to "Hell", but instead of just changing it, he eliminated all references to the robot having a name, or to the reason why Rotwang built it! He made a number of other major changes to the movie. When Fritz Lang heard what had been done, he said "I love films, so I shall never go to America"! The movie was somewhat restored to its original version in 1984, when the Giorgio Moroder score was added, and has since been completely restored to its original version!
NOTE: Click on linked names to see a biography.

Important Added Info: Note that this has a great image of Heinrich George grabbing Brigitte Helm in this scene. We also have another Ross bookplate in a separate auction that shows Fritz Lang showing Heinrich George exactly how he should grab Brigitte Helm in this scene, and it is clear that George did exactly what Lang asked him to do! Also note that this is a "country of origin" item for this German movie! This is a "bookplate", made by the Ross company that also made the 3 1/2" x 5 1/2" "Ross postcards". Examples of these bookplates were used in the 1935 German books "Vom Werder Deutcher Filmkunst: Der Stumme Film (literally translates to "The Making of German Cinematic Art: The Silent Film") & Vom Werder Deutcher Filmkunst; Der Tonfilm (The Making of German Cinematic Art: The Sound Film). This bookplate is identical to one found in the "Silent Film" book described above (which means it was created in 1935, when the book was published), but of course, it was not placed in the book. We don't know if these were distributed in another way, or if they are samples distributed to promote the above books. Each of these bookplates has a scene from a movie on the front and information about the movie, plus what book is belonged in on the back!

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