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Auction History Result

7a0340 CREATURE FROM THE BLACK LAGOON linen Aust daybill 1954 art of monster & Julie Adams, rare!

Date Sold 8/4/2024
Sold For: Login or Register to see sold price.


An Original Vintage Theatrical Linenbacked Australian Daybill Movie Poster (db; measures 13 1/4" x 30" [34 x 76 cm]) (Learn More)

Creature from the Black Lagoon, the classic 1954 Jack Arnold Universal 3-D (3D; 3-Dimension) science fiction (sci-fi) monster horror thriller ("Sheer, stark terror grips you in underwater... 3-D"; "Terrifying monster of the ages raging with pent-up passions! ...with every man his mortal enemy ...and a woman's beauty his prey!"; "Centuries of passion pent up in his savage heart!"; "Amazing! Startling! Shocking!"; "Monster from a million years ago!"; "Clawing Monster From A Lost Age strikes from the Amazon's forbidden depths!"; "Thrills beyond compare in... 3D") starring Richard Carlson, Julie Adams (billed as "Julia Adams"), Richard Denning, Antonio Moreno, Nestor Paiva, Whit Bissell, Ricou Browning (who played the Gill Man underwater), Ben Chapman (who played the Gill Man on land), and Bernie Gozier. Note that the inspiration for this movie began when William Alland (the producer of this movie) was playing an acting role in "Citizen Kane", and he learned of a myth about half-man half-fish creatures in the Amazon. He wrote notes for a story called "The Sea Monster" in 1951, combining the above myth with the "Beauty and the Beast" story. In December 1952, a 59-page treatment called "Black Lagoon" was written by Maurice Zimm and Leo Lieberman wrote a script based on that treatment in early 1953, but Universal turned it down. After this script was written, a new script was written by Arthur Ross and Harry Essex, and that was the script that was used for the movie as filmed, and the last great Universal monster was created! Finally, note that the wonderful creature costume was created by a woman named Milicent Patrick, who you probably never heard of, but she deserves to be well remembered. She was a top pianist as a young girl, and she graduated from high school at 14. She went to work for Disney as an artist in the animation department in the late 1940s, and she was the first female hired by Disney in that capacity. In 1954, she designed the classic creature costume used in this movie, but the head of the makeup department did all he could do to keep her from getting proper credit, and as a result, she left Universal. It is said that she also created some of the well known costumes in other Universal horror and sci-fi movies preceding this, but there is no clear record as to which ones (but some great monsters of this time, including the ones in "This Island Earth", seem to be unmistakably her design). She turned to acting, appearing in a few movies and on TV, but she pretty much vanished in the early 1960s. She passed away in 1998 at the age of 82. She certainly deserves massive credit for her contributions to this movie and other great 1950s monster movies, but that may never happen.
NOTE: Click on linked names to see a biography.
If you know who did the art (if any), please let us know.
Important Added Info: Note that we have only previously auctioned three examples of this Australian daybill, and the last one was 10 years ago, when it sold for $2,125!

Note that this poster has a really cool stamp in the upper right that reads "This is a HORROR FILM. To comply with the censor's ruling, children under 13 will not be admitted." We have previously auctioned three examples of this poster and two of those had a "Not Suitable for Children" circular area printed in the lower left. We have seen many examples of Australian posters that were printed in Australia for use in New Zealand, and these posters always lack the Australian rating. While we have never seen this particular stamp before, we have consulted with experts and feel certain that this poster was printed in Australia for use in New Zealand and is from the first release of the movie in 1954.

What IS linenbacking? Learn More

Overall Condition and Pre-Restoration Defects with Quality of Restoration: good to very good. The poster has a stamp in the top right (see above). It has the most minor of fold and border wear. Either before or after the poster was backed, the poster was likely displayed because the reds in the poster are not as bright as on past examples (this could be a printing difference, but we don't think so). The poster was nicely backed, but bear in mind the color difference before bidding. Note that the restorer left a tiny bit of excess linen around all four sides of the poster (they left a small border in order to protect the poster from handling damage, but they did not leave a larger border, to allow it to more easily fit in a frame).
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