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Auction History Result

#5067 CREATURE FROM THE BLACK LAGOON TC 54 3D

Date Sold 10/30/2003
Sold For: Login or Register to see sold price.


Original Vintage Theatrical Movie Title Lobby Card (measures 11" x 14") (Learn More)

Creature from the Black Lagoon, the classic 1954 Jack Arnold Universal 3-D (3D; 3-Dimension) science fiction (sci-fi) monster horror thriller ("Sheer, stark terror grips you in underwater... 3-D"; "Terrifying monster of the ages raging with pent-up passions! ...with every man his mortal enemy ...and a woman's beauty his prey!"; "Centuries of passion pent up in his savage heart!"; "Amazing! Startling! Shocking!"; "Monster from a million years ago!"; "Clawing Monster From A Lost Age strikes from the Amazon's forbidden depths!"; "Thrills beyond compare in... 3D") starring Richard Carlson, Julie Adams (billed as "Julia Adams"), Richard Denning, Antonio Moreno, Nestor Paiva, Whit Bissell, Ricou Browning (who played the Gill Man underwater), Ben Chapman (who played the Gill Man on land), and Bernie Gozier. Note that the inspiration for this movie began when William Alland (the producer of this movie) was playing an acting role in "Citizen Kane", and he learned of a myth about half-man half-fish creatures in the Amazon. He wrote notes for a story called "The Sea Monster" in 1951, combining the above myth with the "Beauty and the Beast" story. In December 1952, a 59-page treatment called "Black Lagoon" was written by Maurice Zimm and Leo Lieberman wrote a script based on that treatment in early 1953, but Universal turned it down. After this script was written, a new script was written by Arthur Ross and Harry Essex, and that was the script that was used for the movie as filmed, and the last great Universal monster was created! Finally, note that the wonderful creature costume was created by a woman named Milicent Patrick, who you probably never heard of, but she deserves to be well remembered. She was a top pianist as a young girl, and she graduated from high school at 14. She went to work for Disney as an artist in the animation department in the late 1940s, and she was the first female hired by Disney in that capacity. In 1954, she designed the classic creature costume used in this movie, but the head of the makeup department did all he could do to keep her from getting proper credit, and as a result, she left Universal. It is said that she also created some of the well known costumes in other Universal horror and sci-fi movies preceding this, but there is no clear record as to which ones (but some great monsters of this time, including the ones in "This Island Earth", seem to be unmistakably her design). She turned to acting, appearing in a few movies and on TV, but she pretty much vanished in the early 1960s. She passed away in 1998 at the age of 82. She certainly deserves massive credit for her contributions to this movie and other great 1950s monster movies, but that may never happen.
NOTE: Click on linked names to see a biography.
Important Added Info: Note that this lobby card is part of an amazing collection of 132 horror/sci-fi lobby cards (our items #5040 through #5171). Included are 121 title cards from 1950 to 1964, including just about every horror/sci-fi movie made during that period, including all of the most famous titles! Also included is all seven scene cards from "The Day the Earth Stood Still", and a great scene card from "House of Wax". The collector who assembled this collection did so over a span of several decades, and to duplicate it would surely take at least that long, if one started today. But on October 30th, every one of these lobby cards will go to a new owner, as all are being sold with NO reserve. Also note that we have listed these lobby cards in strict alphabetical order. This is a once-in-a-lifetime opportunity to acquire rare lobby cards that almost never are offered for sale!

Condition: good to very good. two 1" vertical tears in the upper center edge (repaired with tape from the back) as well as some paper loss in the lower right blank corner (repaired with paper and clear tape from the front and back) and a few tiny tears and areas of paper loss around the edges of the card (see the image below)

ink pad stamp on the back of the card that bleeds through slightly in the upper right edge of the image background; minor scuffs, smudges, and creases throughout the card (more so around the edges in the blank borders); It is very fortunate that almost all of the defects in this card are in the borders! If framed, most of the damage would be concealed, or a talented restorer could easily greatly improve the appearance of the card without putting paint on the image (but personally, I would think almost every collector could be happy with this card just as it is!).
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