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CHARLIE MCCARTHY/W.C. FIELDS CHARLIE MCCARTHY/W.C. FIELDS 11x14 OR search current auctions Auction History Result 4j0521 CHARLIE MCCARTHY/W.C. FIELDS deluxe 10.75x14 still 1930s he's trying to throw him in the fire! Date Sold 6/6/2023Sold For: Login or Register to see sold price. An Original Vintage Theatrical Deluxe 10 3/4" x 14" [27 x 36 cm] Movie Still (Learn More) Edgar Bergen's most famous ventriloquist dummy, Charlie McCarthy. Bergen was so popular that he appeared regularly on the radio, which does not sound like a possible venue for a ventriloquist, but the joy of watching them was in their personalities much more so than Bergen's skill as a ventriloquist, and in many of their appearances, Charlie McCarthy is treated as a real mischievous human boy, and not a ventriloquist's dummy. Edgar Bergen and Charlie appear most famously in You Can't Cheat an Honest Man, Charlie McCarthy Detective, and Pure Feud AND W.C. Fields was born William Claude Dukenfield in Darby, Pennsylvania in 1880. He showed his remarkable talents early, beginning with a juggling act when he was a teen. He left home and worked that act in vaudeville, later traveling to Europe, and appearing on Broadway in 1906. Although he had initially been a non-talking juggler (this helped when he performed in countries where they did not speak English), he started making comic asides in his act, and soon they were a bigger and bigger part of his appeal. In 1915, Fields made the short film, Pool Sharks, where he performed his tricks on a specially made pool table (a routine he performed in the Ziegfeld Follies). He also made another short film that was shown during his Follies Act, His Lordship's Dilemma. But otherwise, Fields spent all his time on his stage act. In 1924, Fields took a minor role in a Marion Davies movie, and that led to two starring roles in movies directed by D.W. Griffith, and suddenly Fields was a major movie star in his mid forties! Fields was one of the few great silent comedians who was able to seamlessly made the transition to sound movies (another was Laurel and Hardy). While he was a great physical slapstick comedian, sound actually added quite a bit to his appeal. In the early 1930s he not only appeared in some marvelous features (Million Dollar Legs, It's a Gift, and many others) but he also made the series of wonderful shorts for Paramount Pictures (The Fatal Glass of Beer, The Dentist, and more). Fields made some great movies in 1939 and 1940 (when he was 60!), You Can't Cheat an Honest Man, My Little Chickadee, and The Bank Dick (where he played Egbert Souse, pronounced "Soo-say"). But he had many ailments related to his alcoholism, and he made just a few film appearances in the early 1940s. When Fields was dying in 1946, the story goes that a friend visited him at the sanitarium where he was staying, and found the lifelong atheist reading a Bible. When asked why, Fields replied, "I'm checking for loopholes"! Fields made many wonderful movies, but if I had to recommend two to start with, it would be It's a Gift (which includes the great sequence in the store with Mr. Muckle, the nearly blind and deaf old man) and The Bank Dick (which includes the great sequences of Fields being conned into buying the worthless Beefstake Mine stock, and subsequently re-selling it to the hapless Og Oggilby. As Fields tells Og, "Don't be a luddy-duddy! Don't be a mooncalf! Don't be a jabbernowl! You're not one of those, are you?" Important Added Info: Note that there are no markings on the still to indicate where it is from, but it seems extremely likely it is a publicity still created to promote the Edgar Bergen Radio Show, which began in 1937, and this still is likely from the late 1930s. One of the great running gags on the show was the "feud" between Charlie McCarthy and W.C. Fields, and this wonderful still shows Charlie McCarthy fighting from keeping W.C. Fields from throwing him into a burning fireplace! Note that this still measures 10 3/4" x 14" [27 x 36 cm]. Also note that this is a deluxe still printed on double weight paper stock. Condition: very good to fine. The still has very minor border wear and tiny surface paper loss in the top right corner. There is staining on the back of the top of the still, where a snipe was once likely attached, but it does not affect the front. Learn More about condition grades
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