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Metropolis, the classic 1927 Fritz Lang German silent anti-fascism science fiction (sci-fi) robot fantasy dystopian future thriller ("The screen sensation of the age!"; "The wonder city of the future"; "Adapted by Channing Pollock"; based on the novel by Thea von Harbou; set designs by Edgar Ulmer; about an ultra-depressing world of the future where the rich people live in cities in the clouds, and the poor people toil away endlessly underground; a female populous leader arises and a mad scientist makes an android robot duplicate of her to ruin her work; a brilliant movie, light years ahead of its time, and movie makers are still stealing from it!) starring Brigitte Helm (in a dual role as Maria, the female leader of the workers, and as the android [gynoid] "Maschinenmensch"), Gustav Frohlich (as Freder), Alfred Abel (as Joh Frederson), Rudolf Klein-Rogge (as Rotwang the Inventor), Theodor Loos (as Josaphat), Fritz Rasp (as the Thin Man), Heinrich George, and Margarete Lanner. Note that there is a fascinating story behind this movie being imported to the U.S. in 1927, that we did not learn until 2023, when we noticed the "Adapted by Channing Pollock" on the first U.S. herald we auctioned, and Internet research (NOT on the IMDb) revealed this: Fritz Lang's version of this movie at the premiere was 153 minutes, and Paramount was unwilling to release such a long movie in the U.S. So they hired playwright Channing Pollock to shorten the movie to a more "reasonable" length, around 2 hours. What Pollock did was to essentially drastically change the entire movie, by shortening it to 115 minutes, and changing all of the inter-titles to ones he wrote! Among the changes he made was that the man who made the robot (Rotwang) had made it in the image of the love of his life, named "Hel", who had run off with another man. Pollock did not want to use the name "Hel", because of its similarity to "Hell", but instead of just changing it, he eliminated all references to the robot having a name, or to the reason why Rotwang built it! He made a number of other major changes to the movie. When Fritz Lang heard what had been done, he said "I love films, so I shall never go to America"! The movie was somewhat restored to its original version in 1984, when the Giorgio Moroder score was added, and has since been completely restored to its original version!
NOTE: Click on linked names to see a biography.

Artist: Laurent Durieux

Important Added Info: Note that this art print has been hand-numbered 32/100!


This art print is one of the 270 Mondo/Alamo Drafthouse art prints in eMoviePoster.com's "Second Ever Major Mondo Print Auction". What is the special auction?

First, some background: In December 2020 eMoviePoster.com auctioned 2,346 Mondo art prints (from the collection of Mondo founder, Tim League), and they sold for $732,660.00! But Mr. League mostly only gave us prints from 2013 to 2020, because the ones from before that time (back to 2004!) were ones he either only had one of, or very few.

NOW WE HAVE BEEN CONSIGNED A COLLECTION OF 257 PRINTS, MOSTLY ALL BOUGHT DIRECTLY FROM MONDO, AND ALL BUT 12 ARE FROM BETWEEN 2004 AND 2012!

These are the "rarest of the rare", and hardly ever change hands, and when they do it is usually for lots of money! But, as with all eMoviePoster.com auctions, ALL of these started at $1, with NO reserves and NO buyers premiums!

The 257 auctions in this "Second Ever Major Mondo Print Auction" are the first 257 lots at the start of eMoviePoster.com's April Major Auction, and all the auctions end April 17, beginning at 7 PM Central Time.

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