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Auction History Result 4d0316 NIGHT OF THE DEMON linen style B 1/2sh 1957 art of Stonehenge & monster, Curse of the Demon! Date Sold 4/16/2023 Sold For: Login or Register to see sold price. An Original Vintage Theatrical Linenbacked Style B Half-Sheet Movie Poster (1/2sh; measures 22" x 28" [56 x 71 cm]) (Learn More) Night of the Demon (this was also re-cut and released in the U.S. as "Curse of the Demon"), the 1957 Jacques Tourneur English horror thriller ("Horror!"; "Most terrifying story the screen has ever told!"; "Hell on Earth! Skeptical? Don't make up your mind till you see this masterpiece of the macabre!"; "Demons! Monsters from Hell!"; "You will actually see them on the screen!"; "Terrifying!!"; "Scenes of terror never before imagined! Satan's most horrifying creatures loose in a modern city!"; "Based on the story 'Casting the Runes' by Montague R. James") starring Dana Andrews, Peggy Cummins, Niall MacGinnis, Maurice Denham, Athene Seyler, and Liam Redmond. Note that although the demon's image is one of the '50s most iconic monsters, it was not in the original English version of the film (Night of the Demon), and only appears in the American re-cut version (Curse of the Demon). Director Jacques Tourneur wanted to create a brooding, moody film of the type he had done for Val Lewton in the 1940s. But the producer of the American version was Hal E. Chester, better known as Hally Chester, one of the East side Kids with Billy Halop, Huntz Hall, et al in the early 1940s. Against Tourneur's wishes, he re-cut the film for its American release with its new title, and with the cheesy looking monster appearing not only at the end but at the beginning too, absolutely killing off suspense and anticipation. Ironically, it's that image that's most closely associated with the picture in the minds of most horror/sci-fi fans. NOTE: Click on linked names to see a biography. If you know who did the art (if any), please let us know. Overall Condition and Pre-Restoration Defects with Quality of Restoration: good to very good. The poster had small paper loss at the crossfold, with some creases and surface paper loss on parts of the folds. It had some creases, smudges, and faint stains around the edges and in the yellow background areas. Overall, the poster was in good to very good condition prior to linenbacking. The poster was pretty well backed, but you can see signs of the above defects and the restoration of the above defects. Note that either the restorer who mounted the poster did not leave any excess linen around the edges of the poster, or possibly the owner of the poster chose to carefully trim off the excess, so that the poster would fit in a frame. Learn More about condition grades 
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