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Auction History Result 4z072 FISTFUL OF DOLLARS linen 1sh '67 Sergio Leone, Eastwood is perhaps the most dangerous man! Date Sold 8/5/2010 Sold For: Login or Register to see sold price. An Original 1967 (from the first release of this movie in the U.S.) Vintage Theatrical Linenbacked One-Sheet Movie Poster (1sh; measures 27" x 41" [69 x 104 cm]) (Learn More) Per un Pugno di Dollari (released in the U.S. in 1967 as "A Fistful of Dollars"), the classic 1964 Sergio Leone (billed as "Bob Robertson") German/Italian/Spanish spaghetti cowboy western action thriller ("In his own way he is, perhaps, the most dangerous man who ever lived!"; "'A Fistful of Dollars' is the first motion picture of its kind. It won't be the last!"; "He makes no friends - a few enemies - a few dollars - and none of them last!"; "This is the man with no name. Danger fits him like a tight black leather glove!"; "Introducing the man with no name! He's going to trigger a whole new style in adventure. This man with no name is played by Clint Eastwood."; "This short cigar belongs to the man with no name. This long gun belongs to the man with no name. This poncho belongs to the man with no name."; with music by Ennio Morricone; based on the classic Japanese Akira Kurosawa film "Yojimbo") starring Clint Eastwood, Gian Maria Volonte (billed on some items as "Johnny Wels"), Marianne Koch, Wolfgang Lukschy (billed as "W. Lukschy"), Sieghardt Rupp (billed as "S. Rupp"), Joe Edger, Margarita Lozano, and Jose Calvo NOTE: Click on linked names to see a biography. If you know who did the art (if any), please let us know. Important Added Info: Note that there is considerable conflicting information about who created the art for this item. Some say Fred Otnes created the art, others say David Blossom, while others believe Mitchell Hooks, Ted CoConis, etc. If anyone has definitive proof about who created the art, please e-mail us. Condition: good to very good. The poster had many creases and tiny scuffs scattered down the vertical foldline. It had fine surface paper loss on parts of some foldlines (typical of high-gloss posters of this period), and it also had some pinholes and tears around the edges of the poster. Overall, the poster was in good to very good condition prior to linenbacking. The poster was pretty well backed, but you can see signs of the above defects and the restoration of the above defects. Learn More about condition grades 
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