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Auction History Result 3p1888 BRIDE WORE RED candid 8x10 still 1937 Arzner & crew filming Joan Crawford & Robert Young! Date Sold 1/17/2023 Sold For: Login or Register to see sold price. An Original Vintage Theatrical 8" x 10" [20 x 25 cm] Movie Still (Learn More) The Bride Wore Red, the 1937 Dorothy Arzner poor-girl-romanced-by-rich-man romantic love triangle marriage wedding comedy ("Her most glorious and exciting romance!") starring Joan Crawford, Franchot Tone, Robert Young, Billie Burke, Reginald Owen, Lynne Carver, and Dickie Moore. Like most of director Arzner's movies, this one dealt with a very independent woman who "goes her own way" in life! Also note that Dorothy Arzner was a director from the 1920s to the 1940s, and she was the only woman director during the "Golden Age" of Hollywood ('20s to '40s) and she was the first woman to join the Directors Guild of America. Arzner was a lesbian at a time when almost no females openly were, and she was surprisingly open about it, often dressing in "men's clothes" and wearing her hair short. She made many "women's movies" and movies with a "feminist" theme. After making "First Comes Courage" in 1943, she made training films for the U.S. Army WACs, and she never returned to making Hollywood movies, becoming a film teacher of directing and screenwriting, teaching at UCLA until her passing in 1979. NOTE: Click on linked names to see a biography. Important Added Info: Note that this still was consigned to us by legendary collector/dealer Marty Davis! Marty was hired in 1972 to evaluate the entire collection of W. Ward Marsh (1893-1971), who was the film critic for the Cleveland Plain Dealer newspaper from 1919, until his retirement in 1970. In 1919 Marsh wrote his first of 23,000 movie reviews for the Plain Dealer. Marsh died less than a year after his retirement in 1970. His library, and photographic and memorabilia archives were given to the proprietor of Cleveland's finest bookstore. Marty Davis was the first person with a background in film history and collectibles to examine the archives. He worked for three to four hours a day, for six months, and his compensation was his pick of the archives. This still is from the W. Ward Marsh archives, and it was stamped on the back by Marty Davis to indicate that it came from this legendary collection. Condition: good to very good. The still is lightly rippled around the edges, and there are creases at bottom right. Otherwise, the still is in nice condition! Learn More about condition grades 
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