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Auction History Result 3p215 LIFE OF EMILE ZOLA linen 1sh '37 William Dieterle directed, different c/u art of Paul Muni! Date Sold 12/7/2014 Sold For: Login or Register to see sold price. An Original Vintage Theatrical Linenbacked One-Sheet Movie Poster (1sh; measures 27" x 41" [69 x 104 cm]) (Learn More) The Life of Emile Zola, the 1937 William Dieterle (this is one of five biographical movies Dieterle directed for Warner Bros; nominated for the Best Director Academy Award for this film) biography melodrama (about the life of the famous French writer; from the book 'Zola and His Time' by Matthew Josephson; "Story by Heinz Herald and Geza Herczeg"; winner of the Best Picture Academy Award) starring Paul Muni (nominated for the Best Actor Academy Award for this film; in the title role as Emile Zola), Gale Sondergaard (as Lucie Dreyfus), Joseph Schildkraut (winner of the Best Supporting Actor Academy Award for this film; as Captain Alfred Dreyfus), Gloria Holden (as Alexandrine Zola), Donald Crisp, Erin O'Brien Moore, Henry O'Neill, Morris Carnovsky, Louis Calhern, Robert Barrat (as Major Walsin-Esterhazy), and Marcia Mae Jones. Note that as usual, Paul Muni wanted to appear like the actual Emile Zola, so he played the part with a beard, and for the parts of the movie where Zola is older, he had white hair and glasses. Naturally, Warner Bros. did not think that an image of him in makeup would be helpful to attract moviegoers, so on some of the advertising, they used an image of young, handsome Paul Muni out of makeup, even though he never appears like that in the movie! NOTE: Click on linked names to see a biography. If you know who did the art (if any), please let us know. Important Added Info: Note that this poster does not have a company name at the bottom, but it very much looks like it was printed by "Leader Press". In the 1930s, a constant headache for theaters was being sure of having movie posters for their current releases. Often, the posters would travel with the actual film prints, and sometimes the theater before them might have forgotten to include the poster, it might have been defaced or torn, etc. If a theater didn't have posters, it was very frustrating! Several companies began in the 1930s (Leader Press, the "other company", Woolever Press, etc) that made posters of their own for new releases, and they would provide a back up for theaters in case they didn't get a studio issued poster. Often the posters from these companies (with the exception of the "other company") were silk-screen posters, but they were often quite attractive, and virtually always had a completely different design from the regular studio issued poster. It is an absolute fact that posters from these companies are far more rare than the regular studio issued posters. It is also a certainty that these posters were issued when the movies were first released. In fact, they were created PRIOR to the movie's release, so that they could serve as teaser or advance posters (theaters rarely got the studio issued posters before receiving the actual movie). We have located an extremely rare original advertisement for Leader Press posters which clearly states that they were available to theaters a full two weeks prior to each movie's release. What IS linenbacking? Learn More Overall Condition and Pre-Restoration Defects with Quality of Restoration: good to very good. The poster had creases and scuffs along most of the foldlines, with some ink transfer in areas (see our image). Overall, the poster was in good to very good condition prior to linenbacking. The restorer backed the poster "in the European style", meaning that they did not do restoration to the defects described above. Note that the restorer left a tiny bit of excess linen around all four sides of the poster (they left a small border in order to protect the poster from handling damage, but they did not leave a larger border, to allow it to more easily fit in a frame). Learn More about condition grades 
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