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Metropolis, the classic 1927 Fritz Lang German silent anti-fascism science fiction (sci-fi) robot fantasy dystopian future thriller ("The screen sensation of the age!"; "The wonder city of the future"; "Adapted by Channing Pollock"; based on the novel by Thea von Harbou; set designs by Edgar Ulmer; about an ultra-depressing world of the future where the rich people live in cities in the clouds, and the poor people toil away endlessly underground; a female populous leader arises and a mad scientist makes an android robot duplicate of her to ruin her work; a brilliant movie, light years ahead of its time, and movie makers are still stealing from it!) starring Brigitte Helm (in a dual role as Maria, the female leader of the workers, and as the android [gynoid] "Maschinenmensch"), Gustav Frohlich (as Freder), Alfred Abel (as Joh Frederson), Rudolf Klein-Rogge (as Rotwang the Inventor), Theodor Loos (as Josaphat), Fritz Rasp (as the Thin Man), Heinrich George, and Margarete Lanner. Note that there is a fascinating story behind this movie being imported to the U.S. in 1927, that we did not learn until 2023, when we noticed the "Adapted by Channing Pollock" on the first U.S. herald we auctioned, and Internet research (NOT on the IMDb) revealed this: Fritz Lang's version of this movie at the premiere was 153 minutes, and Paramount was unwilling to release such a long movie in the U.S. So they hired playwright Channing Pollock to shorten the movie to a more "reasonable" length, around 2 hours. What Pollock did was to essentially drastically change the entire movie, by shortening it to 115 minutes, and changing all of the inter-titles to ones he wrote! Among the changes he made was that the man who made the robot (Rotwang) had made it in the image of the love of his life, named "Hel", who had run off with another man. Pollock did not want to use the name "Hel", because of its similarity to "Hell", but instead of just changing it, he eliminated all references to the robot having a name, or to the reason why Rotwang built it! He made a number of other major changes to the movie. When Fritz Lang heard what had been done, he said "I love films, so I shall never go to America"! The movie was somewhat restored to its original version in 1984, when the Giorgio Moroder score was added, and has since been completely restored to its original version!
NOTE: Click on linked names to see a biography.

Important Added Info: Note that in the 1920s and 1930s in Germany, it became a common practice to pass out 3 1/2" x 5 1/2" "Ross postcards" to the people who attended a movie. These were postcards that people could send through the mail (each had a picture of one of the movie's stars on it, and standard postcard markings on the other side). But these were also sent to theaters where the stars would make personal appearances, and members of the audience would get the stars to autograph them if they could, but of course, the cards themselves did not come autographed! Sometimes the theaters would use a special "Das Programm Von Heute" that had a blank area on the cover, where they would cut four slits in the upper left and have the "Ross postcards" inserted into that area, so that the audience members would get the program and the card together! We imagine that theaters hoped that audience members would mail the postcards after they saw the movie to friends, telling them how much they enjoyed it, thus creating advertising for the movie. These are often called "Ross autograph cards" by collectors, because moviegoers sometimes obtained autographs on them. Ross postcards are quite collectible, signed or unsigned, but of course, they are worth far more signed. They are often quite rare, because most German paper of all kinds from before World War II was destroyed during the war, due to the massive paper shortages there at that time.

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