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Buster Crabbe was born Clarence Linden Crabbe II in Oakland, California in 1908. He was named for his grandfather, and he was nicknamed "Buster" at an early age. Buster was raised in Hawaii, where he became a great swimmer, and he was went to college at USC, and was in both the 1928 and 1932 Olympic Games, and he medaled in both. He got bit parts in movies starting in 1930, but after he married his girlfriend, Adah Held, in 1933, he set about trying to become a full-time actor. It seemed he would have been a natural to play Tarzan in 1932's Tarzan the Ape Man, but that part went to the winner of five Olymic medals, Johnny Weissmuller. But in 1933 Paramount Pictures decided to make an imitation Tarzan movie (it was King of the Jungle, starring "Kaspa the Lion Man", but everyone "knew" he was Tarzan!), and Crabbe got the part. That got him the role of Tarzan in PDC's Sol Lesser's Tarzan the Fearless the same year, but it had a much smaller budget than the MGM Tarzans. Buster had signed a contract with Paramount, and he appeared in lots of their movies over the next three years, usually billed as Larry 'Buster' Crabbe, but they really didn't know what to do with him. In 1936 he starred in Flash Gordon for Universal Pictures (based on the classic Alex Raymond newspaper comic strip), and that is the role he is most remembered for, and it was released in both a serial and feature version, and was followed by two sequels, Flash Gordon's Trip to Mars, and Flash Gordon Conquers the Universe. Original movie posters from all three of these movies are extremely rare and quite desirable! In 1938, Crabbe starred in another newspaper strip adaptation, Red Barry, and in 1939 he was Buck Rogers! Crabbe had played in some Paramount westerns, and he made a series of westerns for PRC, starring as "Billy the Kid" starting in 1941. By the 1950s Crabbe's movie career had slowed greatly, and he starred in a TV show, Captain Gallant of the Foreign Legion, and he got his real life son cast on the show as well. In the mid 1950s, he bought a swimming camp for kids, and also got heavily involved in a company that sold swimming pools, and these business pursuits meant he did little acting. You may remember him from his TV commercials in the 1970s where he pitched the Magic Mold Bodyshirt, and he modeled it himself, and looked great! Crabbe was still married to his college sweetheart, and they remained married for 50 years, until his passing in 1983. Right before he passed away, he starred in a wacky movie, The Comeback Trail, a sort of rip-off of The Producers, where two promoters take an over the hill former cowboy star, and cast him in a movie, and give him dangerous stunts to perform in the hopes he will drop dead and they can collect the insurance on him!AND Harold Lloyd was born in Burchard, Nebraska, USA in 1893. His parents divorced when he was small (odd at that time) and he lived with his father (more odd). In 1912, they moved to California, and Harold, who had acted in community theater got a job at the Thomas Edison studio. He met fellow actor (and sometime director) Hal Roach, and when Roach got an inheritance and was able to buy part of a studio in 1913, Lloyd went with him. The following year he met Bebe Daniels, and the two became a team, both onscreen and off. In 1915, Lloyd created the Lonesome Luke character (essentially a rip-off of Chaplin's Tramp character) and between 1915 and 1917 made over 60 one-reel shorts. In 1918, Lloyd created a new character, with trademark horn rimmed glasses (Roach would later take credit for creating the character!). In 1919, Lloyd was injured performing one of his many dangerous stunts when a prop bomb exploded, and he lost his right thumb and forefinger (he would wear prosthetic fingers the rest of his life). Also in 1919, Daniels and Lloyd split up romantically and professionally, although they remained good friends the rest of their lives. In 1921, Lloyd made his feature movie, A Sailor-Made Man, followed by Grandma's Boy, and both were huge hits. Lloyd soon split from Roach and started producing his own movies, distributing them through Paramount, and he made a fortune from them. Lloyd had many hits through the 1920s (he made more movies than Chaplin or Keaton, and they grossed more money overall). He had married in 1923, and had two children, and he used some of the vast amount of money he made to build his own studio and an immense estate, called Greenacres, with 44 rooms, 26 bathrooms, 12 fountains, 12 gardens, and a nine hole golf course. Lloyd had always been eccentric, and his huge wealth allowed him to explore many odd hobbies, including stereopticon-like 3-D slides, and he had hundreds of thousands of them made, many of pretty naked (and near-naked) young women! When sound came to movies, Lloyd had trouble adapting, and each of his sound movies were less and less successful, until he pretty much retired in 1938. He spent much of his time on his charity work, and on his odd hobbies. He made the unfortunate move of not allowing his movies to be distributed or shown on TV for many years, which (like Will Rogers) helped to largely cause him to be forgotten by later generations. Worse yet, a nitrate fire in Lloyd's vault casued most of his early movies to become permanently "lost". When Lloyd passed away in 1971, he was one of the richest men in Hollywood, but he was largely forgotten except by film buffs. But in recent years, he has been "re-discovered" and it is generally accepted that Lloyd was one of the three giants of silent comedy, fully the equal of Chaplin and Keaton! His best movies hold up exceedingly well, and I highly recommend seeking them out.

Important Added Info: Note that this still is a key book still, printed on a deluxe heavyweight paper stock. Many studios spent extra money to have their most special photos, the key book stills, either backed with linen or printed on a heavy paper, both of which enhanced their durability. They had an extra 1" at the left or top, with punch holes, because of how they were stored. Key book stills are far more rare than regular stills, which has increased their popularity among collectors, since only a few keybooks were manufactured per film, and a key book still is guaranteed to be authentic.

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