eMoviePoster.com

What are the objects in the corners of some images? Learn More

The 4 Horsemen of the Apocalypse, the 1962 Vincente Minnelli World War II (WWII) Nazi Germany France melodrama ("From Ibanez' immortal classic Metro-Goldwyn-Mayer presents an unforgettable motion picture."; "Paris, city of lovers... The day the clocks stopped turning and the world stood still..."; "Ibanez' unforgettable story sweeping you from the broad pampas of the Argentine to the boulevards of Paris, telling of Julio, with his fast cars and sleek women, of Marguerite, who tried to divide her love, and of Marcelo, who ran from one war to be caught by another. Telling of Madariaga, who built a Paradise and of Karl, who destroyed it, of Etienne, who knew the depths of man's depravity and Chi-Chi, who believed only in man's good. It tells of Elena, arrogant in her pride and Luisa, humble in her sorrow. It tells of Heinrich, drunk with the power that loosed the Four Horsemen on a helpless world."; "Now and then there is a motion picture for which the world is 'timeless'... This is one, for it tells a story that is big in today's world... It is fraught with the truth and terror, the loves and hopes of now... It is peopled with men who are heroic, women who are alluring... This is what happens in their hearts whether the place is Argentina or Paris... For this is all humankind when conflict comes and the clock stands still."; "Based on the novel by Vicente Blasco Ibanez"; "screen play by Robert Ardrey") starring Glenn Ford, Ingrid Thulin, Charles Boyer, Lee J. Cobb, Paul Henreid, Paul Lukas, Yvette Mimieux, and Karlheinz Bohm (billed as "Karl Boehm")
NOTE: Click on linked names to see a biography.

Important Added Info: Note that although these stills were "printed in Great Britain", they have full NSS information. We have been told by an expert that Columbia and MGM had a number of their color stills printed in Great Britain in the late 1950s and the early 1960s (the years vary between the two studios), no doubt because the English color printing was better than the U.S. color printing at this time. However, they were printed in Great Britain to be used in the U.S. (we have heard from many collectors who saw these color stills in U.S. theaters at the time these movies were released, but we have not heard from any English collectors who saw them used in England at that time). In the late 1960s and 1970s some studios started printing color stills like these in Italy, surely for the same reason (because Italian printers had better color printing during those years). But those stills printed in Italy were for use in the U.S., as these stills printed in Great Britain were for use in the U.S.

Our address for UPS or FedEx only is:
Bruce Hershenson,
306 Washington Avenue, West Plains, MO 65775