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Louise Brooks was born Mary Louise Brooks in 1906, and she was always unconventional. She was the daughter of a Kansas lawyer, but she left at the age of 16 to go to New York and join Ruth St. Denis and Ted Shawn with their Denishawn dancers. Two years later she had a falling out with Shawn and was fired. She then worked in the George White's Scandals, the Ziegfeld Follies (where she was a semi-nude dancer, and was noticed, and signed to a Hollywood contract by Paramount Pictures, where she had several minor movies as a sexy flapper girl in comedies). She finally got her big break in a starring role in Beggars Of Life, and predictably she left Hollywood to go to Europe. But she had had the title role in The Canary Murder Case in 1929, which had been filmed as a silent, and Paramount asked her to return to dub the movie, and she refused, which effectively blacklisted her in Hollywood. She made two incredible movies with legendary German director G.W. Pabst, Pandora's Box, and Diary Of A Lost Girl and I highly recommend both. She made Prix de Beaute in France, and in the early 1930s she returned to Hollywood (minus her trademark flapper hairdo) where she could only get minor roles, and she returned to Kansas, and later New York. She lived an alcoholic life in obscurity (supported by former admirers including William S. Paley, founder of CBS). In the 1950s and 1960s she was "rediscovered" by film critics, and she wrote many articles and books about her life, which I also highly recommend. She is likely best remembered for her distinctive hair style! She passed away in 1985 at the age of 78.

Important Added Info: Note that in the 1920s and 1930s in Germany, it became a common practice to pass out 3 1/2" x 5 1/2" "Ross postcards" to the people who attended a movie. These were postcards that people could send through the mail (each had a picture of one of the movie's stars on it, and standard postcard markings on the other side). But these were also sent to theaters where the stars would make personal appearances, and members of the audience would get the stars to autograph them if they could, but of course, the cards themselves did not come autographed! Sometimes the theaters would use a special "Das Programm Von Heute" that had a blank area on the cover, where they would cut four slits in the upper left and have the "Ross postcards" inserted into that area, so that the audience members would get the program and the card together! We imagine that theaters hoped that audience members would mail the postcards after they saw the movie to friends, telling them how much they enjoyed it, thus creating advertising for the movie. These are often called "Ross autograph cards" by collectors, because moviegoers sometimes obtained autographs on them. Ross postcards are quite collectible, signed or unsigned, but of course, they are worth far more signed. They are often quite rare, because most German paper of all kinds from before World War II was destroyed during the war, due to the massive paper shortages there at that time.

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