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Metropolis, the classic 1927 Fritz Lang German silent anti-fascism science fiction (sci-fi) robot fantasy dystopian future thriller ("The screen sensation of the age!"; "The wonder city of the future"; "Adapted by Channing Pollock"; based on the novel by Thea von Harbou; set designs by Edgar Ulmer; about an ultra-depressing world of the future where the rich people live in cities in the clouds, and the poor people toil away endlessly underground; a female populous leader arises and a mad scientist makes an android robot duplicate of her to ruin her work; a brilliant movie, light years ahead of its time, and movie makers are still stealing from it!) starring Brigitte Helm (in a dual role as Maria, the female leader of the workers, and as the android [gynoid] "Maschinenmensch"), Gustav Frohlich (as Freder), Alfred Abel (as Joh Frederson), Rudolf Klein-Rogge (as Rotwang the Inventor), Theodor Loos (as Josaphat), Fritz Rasp (as the Thin Man), Heinrich George, and Margarete Lanner. Note that there is a fascinating story behind this movie being imported to the U.S. in 1927, that we did not learn until 2023, when we noticed the "Adapted by Channing Pollock" on the first U.S. herald we auctioned, and Internet research (NOT on the IMDb) revealed this: Fritz Lang's version of this movie at the premiere was 153 minutes, and Paramount was unwilling to release such a long movie in the U.S. So they hired playwright Channing Pollock to shorten the movie to a more "reasonable" length, around 2 hours. What Pollock did was to essentially drastically change the entire movie, by shortening it to 115 minutes, and changing all of the inter-titles to ones he wrote! Among the changes he made was that the man who made the robot (Rotwang) had made it in the image of the love of his life, named "Hel", who had run off with another man. Pollock did not want to use the name "Hel", because of its similarity to "Hell", but instead of just changing it, he eliminated all references to the robot having a name, or to the reason why Rotwang built it! He made a number of other major changes to the movie. When Fritz Lang heard what had been done, he said "I love films, so I shall never go to America"! The movie was somewhat restored to its original version in 1984, when the Giorgio Moroder score was added, and has since been completely restored to its original version!
NOTE: Click on linked names to see a biography.

Important Added Info: Note that this is a poster from the "S2 Art Group". This company bought 100 year-old lithograph presses, and completely refurbished them, and recreates stone litho printing plates for classic movie posters, and then prints them on the 100 year-old presses, in exactly the same way the posters were originally printed (re-creating them down to the finest detail within the art, and even including the tiny writing from the bottom of the poster), and exactly 36 1/2" x 83 1/2"! In some ways they are better, because they are printed on a much higher quality paper (similar to that of a 30x40, but somewhat heavier, and not on a high-gloss coated stock, but a "flat" finish). If you have never seen one of these in person, you might think they are simply "a reproduction", but they really look incredible in person! Most of us could never hope to have the original of this poster (which sells for hundreds of thousands of dollars!), and this recreation is certainly an attractive and affordable alternative! IMPORTANT! Note that the S2 Art Group also has a lower quality 24" x 36" series of recreations that retail for $49 each, but are NOT stone lithographs. The recreation offered here is the 36 1/2" x 83" size with ultra high quality printing. This three-sheet was printed in 3 sections (just as the original poster would likely have been printed in 1927). Finally, note that this S2 re-creation comes with a "certificate of authenticity" from "The RE Society Ltd.", stating when the poster was produced, and detailing the methods used.

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