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Laurence Olivier was born in Surrey, England in 1907. He was the son of a very strict priest, and he spent much time with his mother, but she passed away when Laurence was only 12. He discovered acting as a child, and played Shakespearean roles as a teen. In 1926, he joined The Birmingham Repertory Company, and the following year played the leads in Hamlet and Macbeth. In 1930 he married an actress, Jill Esmond, and while they were married 10 years and had a son, they were never happily married (Olivier wrote in his autobiography that he was impotent on their wedding night, which he attributed to his strict religious upbringing). He starred in Private Lives on the stage in 1930, and that made him a star. He appeared in five movies in 1930 and 1931 alone, but none were very notable, and he focused more on the stage, having sucess in 1935 where he alternated the roles of Romeo and Mercutio with John Gielgud (but he was jealous that Gielgud received better reviews than he did, and he did not act with him again!). In 1937 he starred in Fire Over England with Vivien Leigh, and after the film was finished, they started having an affair, even though both were married. In 1939 she starred in Gone With the Wind and he in Wuthering Heights, and after those two great triumphs, they both divorced their spouses and were married. Wuthering Heights was Olivier's greatest film role. Prior to this movie, he had one major failing as a movie actor, which was that he acted as if he was on the stage, which detracted from his appearances because he appears to be over-acting when delivering his lines. He approached the role of Heathcliff in the same way, and producer Sam Goldwyn threatened to fire him after filming began, but legendary director William Wyler was able to convince him to tone down his performance, and it surely ranks as one of the finest ever captured on film (there is a moment when he returns a rich man, and he says to Catherine that he has forgotten to congratulate her on her marriage, and he adds, "I have often thought of it", and I have never heard a line better delivered!). He and Leigh appeared in several movies together, but over time it became apparent she suffered from bi-polar disorder, which put a great strain on their relationship. Olivier spent some time as a pilot in the Reserves during WWII, and in 1944, he and Ralph Richardson formed a new Old Vic Theatre Company, where he had many triumphs on the stage, in both Shakespeare and more modern plays. In 1945 Olivier directed and starred in a film version of Henry V, and in 1948 he directed and starred in a film version of Hamlet, and he won the Best Actor Oscar, and the movie was named Best Picture. That same year he and Leigh went on a 6 month trip performing in Australia and New Zealand, and it was at that time their marriage began to completely break down, although they remained together (both personally and professionally) for quite some time. They divorced in 1961, and Olivier married actress Joan Plowright, with whom he soon had three children. In 1955, Olivier filmed the last of his three great Shakespearean films, Richard III, and over the rest of his life he alternated between the stage and many memorable appearances in movies, including The Prince and the Showgirl (opposite Marilyn Monroe), Spartacus, Othello, and many more. As he aged he successfully transitioned to older character roles, and one of his very finest was as the Nazi dentist Szell in Marathon Man. There is a funny story about that movie (although it may well be apocryphal). Olivier had always detested "method" acting, and before the scene where he appears with Dustin Hoffman where Hoffman's character had been up for a very long time, Hoffman showed up for filming, and looked dreadful. Olvier asked him if he had been in an accident, and Hoffman (a "method" actor) replied that he had stayed up for two days so he could be authentic, and Olivier is supposed to have responded, "Have you ever tried acting, dear boy?"! Was Laurence Olivier the best movie actor of all time? I don't think so, primarily because of his "over-acting" tendencies in his early years (caused by his extensive stage experience). But he surely was one of the handful of finest film actors ever, and his body of work is truly remarkable! AND Ray Milland was born Reginald Alfred John Truscott-Jones in Wales in 1905. He spent 3 years as a guardsman with the Royal Household Cavalry in London, and then started appearing in English movies in 1928. He moved to Hollywood the following year and he had little success for several years, but after around five years, he found his niche playing the younger brother or the rival to the male lead. In the middle 1930s he started getting leads in romantic comedies or dramas to the type of leading ladies who did not want too strong of a male co-star! It seemed like his career would never get better than this, but in 1944 he surprised everyone with his very strong performance in Fritz Lang's Ministry of Fear, and the following year he got even more positive reviews for his role as the alcoholic writer in Billy Wilder's The Lost Weekend, for which he won the Best Actor Oscar. In 1954, when Milland was pushing 50, he was offered the role of the duplicitous husband in Alfred Hitchcock's Dial M for Murder, and he gave one of the best performances of his career. But roles started drying up for the aging balding leading man, and he started taking many TV roles. He also took the lead roles in some truly dreadful low budget horror movies (including The Thing with Two Heads, where he played a rich white racist who had to spend the entire movie tied into a ridiculous body suit with giant black pro football player Rosey Grier!), although he did make a strong appearance as the father in Love Story, and he guest starred in two memorable Columbo episodes. Milland was a really first-rate actor, and when he had an important role for a top level director he proved he was as good as anyone, but sadly much of his career was spent on minor roles or in very minor movies.

Important Added Info: Note that this key book still is on a deluxe heavyweight paper stock and has an extra 1" on the left or top of the still with punch holes (where the still was kept in a binder).

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