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Edward G. Robinson was born Emmanuel Goldenberg in Romania in 1892, and his parents took him to the U.S. in 1902. He was a small man, but possessed a gigantic talent! He was a stage actor in the 1910s and 1920s, but when sound came to movies Hollywood turned to Broadway to find talent who could talk, and he made his debut (after two minor roles) in The Hole in the Wall, starring opposite future major star Claudette Colbert, in her second movie. Seven movies later, he starred as Cesare Bandello (Rico) in Little Caesar, and it not only made him a major star, it also ushered in the great gangster movies of the 1930s. It also typecast him, and he made mostly gangster movies in the 1930s and 1940s, sometimes comedies or parodies of his classic image. In 1944 he made the incredibly wise decision to accept third billing in Billy Wilder's film noir Double Indemnity, and he and the movie were wonderful. That same year he also memorably starred in Fritz Lang's uber-depressing masterpiece, The Woman in the Window, and the following year he and Lang virtually remade that movie as Scarlet Street (although the two movies come from different source novels). He settled into character roles in major movies and lead roles in minor ones, greatly enriching such movies as The Stranger, Key Largo, and many more. He was caught up in the HUAAC hearings, and though he wasn't blacklisted, he spent a year on Broadway in plays. As he grew older he continued to enrich lots of movies in character roles, including his great performance as master poker player Lancey Howard in The Cincinnati Kid (opposite Steve McQueen), and as Sol Roth in Soylent Green (opposite Charlton Heston). In real life he was a quiet, retiring man, nothing at all like his onscreen persona of a brash tough man brandishing a cigar like a weapon. He was a lifelong collector, and one of the first in Hollywood to collect fine art, and he accumulated a collection worth millions of dollars. The ultimate proof of just how flawed to Motion Picture Academy's methods were over the years is that not only did Edward G. never win an Oscar, he never even was NOMINATED for an Oscar, and yet he gave some of the finest movie performances over, over a span of over 40 years! He passed away in 1973 at the age of 79. AND James Cagney was a legendary actor from the 1930s to the 1980s. He was a huge success in crime movies in the early 1930s (almost always playing a gangster), and that unfortunately typecast him in those roles, but he continually fought against it, and he made several wonderful non-gangster movies as well. Some of his movies include: The Public Enemy, Yankee Doodle Dandy (winner of the Best Actor Academy Award for this film), White Heat, Ragtime, Angels With Dirty Faces (nominated for the Best Actor Academy Award for this film), The Roaring Twenties, One, Two, Three, Love Me Or Leave Me (nominated for the Best Actor Academy Award for this film) and scores of others! He retired from show business completely in 1961, but he was coaxed out of retirement to appear in Milos Formal's Ragtime in 1981. He passed away in 1986 at the age of 86.

And now you can see headshots of James Cagney in our gallery, Through The Years: James Cagney (from 1930 to 1984)!

Important Added Info: Note that this wonderful candid still shows Warner Bros.' two greatest male stars of the early 1930s, James Cagney and Edward G. Robinson, both looking over their next scripts (Cagney's was "Footlight Parade", and Robinson's was "Red Meat", which was the working title for "I Loved a Woman").

Note that this still measures 11" x 14 1/4" [28 x 36 cm]. Also note that this is a deluxe still printed on double weight paper stock.

Note that we are currently auctioning over 100 ultra rare 11x14 stills (some measure slightly smaller) that are mostly from the 1930s, all in separate auctions! The highlight of these is the 58 of them that were consigned to us by a collector who acquired them many years ago, and they feature wonderful images of many of the greatest 1930s Hollywood stars, including James Cagney, Humphrey Bogart, Gary Cooper, Edward G. Robinson, and many others! These are many times more rare than 8x10 stills, and are very rarely offered for sale or at auction, and many of these may be "one of a kind"! This is a very rare opportunity to acquire one or many of these extreme rarities!

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Bruce Hershenson,
306 Washington Avenue, West Plains, MO 65775